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Julia, you start to think, might secretly be the hero of a more coherent movie unspooling in the theater next door - one about working under men who, however decent they may be, can’t rise to the challenges they face and never realize how much they rely on you. John falls off the wagon and becomes a little hard to take, as his stupor further confuses the film’s tone and creates a speed bump for its plot. The movie has something of a meta-revelation about its genre when, well into research about the women this wolf attacks and increasingly worried for his sexually active teenager, John looks at Julia and wonders, “Huh, do you think women have had to face this kind of danger forever?” A blank stare is the kindest possible response.Īs its predecessor did, Wolf piles pressures and abuse upon its protagonist’s shoulders that sometimes stretch credulity one wonders if Cummings, like mid-career Mel Gibson, enjoys suffering onscreen a bit too much. Cutting between police business and the crimes, the film shows us the werewolf starting pretty early on it also suggests the beast is an anonymous drug addict who spends his days getting high in a small RV. While John struggles to manage the team, Julia calmly starts adding up clues.Īnd more clues pile on, as a new body is found every night of this full-moon cycle.
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They’re more sad, especially when viewed through the eyes of John’s sympathetic, much more professional fellow officer Julia Robson ( Riki Lindhome). Though they command one’s attention, Cummings’ tightly-wound freakouts aren’t as twitchily comic as those of Thunder Road‘s Officer Arnaud. When forensic experts say the body was attacked by a giant animal, and a fellow cop suggests werewolves, John can hardly contain his rage.
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Her body is mutilated and there are no suspects, sending townspeople into panicked talk about a serial killer. External productions like this provide local talent and businesses new opportunities for growth, which in turn expands economic impact and allows us to showcase Utah’s locations and talent to the world.Juggling those office politics gets immensely harder when a tourist is brutally murdered. Having never ever filmed in Utah, we worked hard to show the director and producers the benefits of shooting in the state. Virginia Pearce, Utah Film Commission director, commented: “We were thrilled that ‘The Wolf of Snow Hollow’ chose Utah as the backdrop for the film.
‘The Wolf of Snow Hollow’ also stars Riki Lindhome (‘Knives Out’), Academy Award nominee Robert Forster (‘The Descendants’), Chloe East (‘Kevin (Probably) Saves the World’) and Jimmy Tatro (‘American Vandal’). As he’s consumed by the hunt for the killer, he struggles to remind himself that there’s no such thing as werewolves.
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The film follows a small-town sheriff, struggling with a failed marriage, a rebellious daughter, and a lackluster department, who is tasked with solving a series of brutal murders that are occurring on the full moon. The close knit community of crew were a huge asset to the production and made the winter conditions during filming as easy as possible.” “We needed a very specific look for the film that needed to be this small, snowy mountain town and we found it in Utah. “I was very excited at the opportunity to work in Utah,” said producer, Matt Miller. Filming locations included the Summit County Courthouse, Solitude Ski Resort and local restaurants The Notch and Kozy Cafe, with the snowy landscapes of Summit County as the backdrop of the film. Having been approved for a state film incentive in 2019, ‘The Wolf of Snow Hollow’ spent over $755,000 in Utah and created more than 95 local jobs. From writer-director-actor, Jim Cummings whose debut feature film ‘Thunder Road’ won the Grand Jury Award at SXSW in 2018 and is based on the 2016 Sundance Film Festival Grand Jury Prize-winning short film. SALT LAKE CITY (October 8, 2020) – Utah is in the spotlight this week with the premiere of ‘The Wolf of Snow Hollow’ releasing in Megaplex Theatres across the state and on-demand on October 9. Utah Film Wolf of Snow Hollow’ Filmed in Utah to Premiere October 9
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